Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Circle of Pierre Gobert
Portrait of Marie Anne de Bourbon (1666-1739), Princesse de Conti

ID: 80411

Circle of Pierre Gobert Portrait of Marie Anne de Bourbon (1666-1739), Princesse de Conti
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Circle of Pierre Gobert Portrait of Marie Anne de Bourbon (1666-1739), Princesse de Conti


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Circle of Pierre Gobert

1662-1744  Related Paintings of Circle of Pierre Gobert :. | Portrait of a Bride with Flowers | Portrait Marie Anne de Bourbon as Princess of Conti | Portrait of Francoise Marie de Bourbon | Mademoiselle de Sens | Portrait of a Bride with Flowers |
Related Artists:
Henri Evenepoel
Belgian, 1872-1899 was a Belgian artist whose most important works are associated with Fauvism. He first studied art in Brussels at the Acad??mie des Beaux-Arts between 1889 and 1890, and entered Paris's Ecole des Beaux-Arts in 1892. Evenepoel entered the atelier of Gustave Moreau in 1893, which put him in contact with Henri Matisse and Georges Rouault. The artist debuted a portrait of his cousin (Louise in Mourning) at the 1894 Salon des Artistes Français. He showed four portraits at the Salon du Champ-de-Mars in 1895 and continued to exhibit there until his death. His first solo exhibition came at the Brussels Cercle Artistique (December 1897 C January 1898). Family and friends were the artist's preferred subjects; his full-length portraits, often against a neutral background, show the influence of Edouard Manet and James Abbott McNeill Whistler. His Parisian scenes were influenced by Henri de Toulouse-Lautrec and Jean-Louis Forain.
NETSCHER, Caspar
Dutch Baroque Era Painter, ca.1635-1684
Sebastiano Bombelli
Italian, 1635-1719, Italian painter. He was perhaps the most influential Italian portrait painter of the later 17th century. His early style was formed by his father, Valentino Bombelli, a painter in Udine, and his godfather, the Mannerist artist Girolamo Lugaro. In the early 1660s he was in Venice (Boschini; Sansovino), where he responded passionately to the brilliant colour, painterly freedom and naturalism of 16th-century Venetian artists, particularly Veronese






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